Gallery Link: 2010: Set 012 (Entertainment Weekly)

Gallery Link: 2010: Set 013 (Flare Magazine)

Gallery Link: 14.07.10: Hits the Gym in Los Angeles

Gallery Link: 2010 August: Flare

On her down-to-earth daily life: “I have such a normal life when I’m not working . . . It’s just nice to be around people you care about and who know you best.”
On acting alongside Kristen in Eclipse: “Kristen is one of my best friends, so it was really funny playing her enemy in Eclipse . . . But that’s what acting is and when they yell ‘cut,’ you can go back to your normal self.”
On her favorite wardrobe staple: “In Push, I wear these Doc Martens. They’re worn-in and they’re so soft, and they’re one of the only ones that were made with a zipper. That has affected my style in a completely new way. Now I wear them every day.”
On the career legacy she hopes she’ll leave: “I hope people will have been moved by something that I’ve done or [that I've] helped somebody through a hard time . . . and that I’ve stayed true to who I am and have been a nice person.”
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Gallery Link: 11.07.10: Arrives at LAX Airport

Gallery Link: 2010 August: Marie Claire

Gallery Link: 2010: Set 011 (Eclipse Press Junket)

Gallery Link: 2010 August: Flare

Issue: August 2010
Who: Dakota Fanning
Photo: Max Abadian

Dakota Fanning is wearing a dress by 3.1 Phillip Lim and a ring by Jessica Robinson, Broken English.

To get a look like Dakota’s try: Brow Expert Le Crayon Poudre, Powder Pencil for the Brows in Natural Blonde, $27. Artliner, Gentle Felt Eyeliner Intense Line in Noir, $37. L’Absolu Rouge Advanced Replenishing & Reshaping Lipcolor Pro-Xylane in Absolute Rouge, $35. All makeup, Lancôme.

Gallery Link: 2010: Set 010 (Marie Claire)

The dress code at Campbell Hall, the private Episcopal school in North Hollywood, California, once attended by Mary-Kate and Ashley Olsen and now by Dakota Fanning and her little sister, Elle, is strict: khaki skirt, shorts, or trousers, white collared shirt, navy sweater, closed-toed shoes. “You could actually wear this,” says the elder Fanning — wide-set, frank blue eyes; fair hair; milk-white skin; and the wispy limbs of a John Currin painting — flouncing her skirt, a cream-colored silk pouf, and in the process gaily jangles a wristful of bangles. We are sitting opposite each other in a quiet booth at the Sunset Tower Hotel, in Los Angeles. Her skirt might be passable, I think, but that little distressed white cotton tank with the bra peeking out could be grounds for detention. Ditto the 5-inch, brown Marni wedge sandals that were a present for her 16th birthday, in February, and that add significantly to her petite, not-quite-5-foot-4 frame.

And her costumes for last spring’s The Runaways would have probably gotten her expelled. The movie tells the story of the rise and fall of Joan Jett’s first band, an all-girl hard-rock ensemble (dubbed “glam-punk” by some) that emerged in the mid-’70s. As the 15-year-old lead singer and Jett sidekick Cherie Currie, Fanning played part naïf, part sexed-up jailbait, in a frost-white wig, fishnet stockings, and an S&M corset. All in a moment, Fanning went from being an adorable if talented “child star” to the full-fledged genuine article, and critics took notice. Reviewing The Runaways in The New York Times, A.O. Scott gushed: “Ms. Fanning, who has shown herself a remarkably disciplined and self-aware actress almost since toddlerhood, displays heartbreaking vulnerability as well as frightening poise.” The Denver Post called her performance “uncorked.” The message was unmistakable: She had popped.

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Gallery Link: The Runaways – Promotional Stills